Rocky Mountain E-Review of Language and Literature
Volume 60, Number 1 SPRING 2006
Articles
Swallowing Mosquitoes, Wine, and Supplement with Quevedo
John Gardner Rose-Hulman Institute of Technology
In Quevedo's sonnet #531 the mosquito functions as a supplement, disrupting the perfection of the wine and the formal order of the poem, transgressing the strict thematic divisions in the work. Through metaphor, vocabulary, and neologism, the mosquito is portrayed as one link in a potentially infinite chain of supplementation. But the term "mosquito" also serves to create a play between links in the chain, which is dissolved altogether as the wine is ingested. This consumption, by both mosquito and persona, reveals the wine as a pharmakon. Related works are also explored.
Seeing Black Women Anew through Lesbian Desire in Nella Larsen's Passing
H. Jordan Landry University of Wisconsin Oshkosh
This essay explores Nella Larsen's revision of images of mulatto women in Harlem Renaissance novels. Larsen reveals her female characters' imprisonment by a false belief that whites and men are innocent and women of mixed ethnicity always culpable. Larsen traces this blame of women back to Harlem Renaissance novels. In response, she revises the traditional erotic triangle. For Larsen, women of mixed ethnicity see each other outside of a culture of blame only when men play a diminished role within the triangle. Then, they recognize their own worth through fetishization of each other's body, particularly its blackness, within the triangle.
The Comedy of Language in Borges' "La busca de Averroes"
E. Joseph Sharkey University of Washington
It is true that Jorge Luis Borges liked to scorn the medium of his own form of art for its limitations. But the critical consensus about the failures of language in Borges' stories takes him too much at his word; it is too negative and too simplistic, even with regard to those cases in which Borges himself affirms or seems to affirm it. "La busca de Averroes" ("Averroes' Search"), for example, he describes as "a story of failure." And yet the single failure portrayed sits atop a heap of successes that reveal language as conqueror of history, culture, and subjectivity.
Gabriele Eckart Southeast Missouri State University
The dispersion of identity in East Germany as a result of German reunification and globalization has brought about the need to find one's regional identity. While this is true for people of all East German regions, it is articulated most conspicuously in texts of writers from Saxony. This study will show that two generations of writers from the former GDR reclaim their Saxon identity by exploring local life in its entirety, which includes the Saxon dialect, and by attempting to acquire a specific Saxon perspective in looking at the world.
Jay Ellis University of Colorado
Open spaces shift into constraints of place in Cormac McCarthy's novels. Between Blood Meridian and All the Pretty Horses, horrific violence across an antinomian range shifts into easier disturbances. What happens to country that narrows possibilities, even as it proscribes violence? Previous scholarship answers in mythic or political terms. But close reading Blood Meridian's Epilogue toward historical references suggests the advent of barbed-wire fencing, the coterminous near extinction of the American Bison and near eradication of American Indians, and a belated Western realization of the Land Act of 1865, deepen such answers.
Reviews
Courts and Conflict in Twelfth-Century Tuscany, by Chris Wickham Reviewer: Ameer Sohrawardy
The Practical Shakespeare: The Plays in Practice and on the Page, by Colin Butler Reviewer: Michael Pringle
Shakespeare's Sonnets, by Paul Edmondson and Stanley Wells Reviewer: Elizabeth Holtze
Cervantes in Algiers: A Captive's Tale, by María Antonia Garcés Reviewer: Kevin S. Larsen
Milton Studies 45 (2005), ed. Albert C. Labriola Reviewer: Joanne Craig
Picking Wedlock: Women and the Courtship Novel in Spain, by Shifra Armon Reviewer: Kelly J. Cockburn
Approaches to Teaching Defoe's Robinson Crusoe, ed. Maximillian E. Novak and Carl Fisher Reviewer: Nina Chordas
Hound, Bay Horse, and Turtle-Dove: Obscurity and Authority in Thoreau's Walden, by Henrik Otterberg Reviewer: Jeanne I. Lakatos
In Mortal Combat: The Conflict of Life and Death in Zola's Rougon-Macquart, by Kristof H. Haavik Reviewer: Kathryn Eberle Wildgen
Our Sisters' Keepers: Nineteenth-Century Benevolence Literature by American Women, ed. Jill Bergman and Debra Bernardi Reviewer: Bernadette H. Hyner
Approaches to Teaching Henry James's Daisy Miller and The Turn of the Screw, ed. Kimberly C. Reed and Peter G. Beidler Reviewer: Robert M. Hogge
Love and Good Reasons: Postliberal Approaches to Christian Ethics and Literature, by Fritz Oehlschlaeger Reviewer: Alan Blackstock
Mary Austin's Southwest: An Anthology of Her Literary Criticism, ed. Chelsea Blackbird and Barney Nelson Reviewer: Gwen Sullivan
Gaelic Prose in the Irish Free State (1922-1939), by Philip O'Leary Reviewer: Ana Isabel Carballal
Polish Memories, by Witold Gombrowicz Reviewer: Aleksandra Gruzinska
A Guide to Philosophy in Six Hours and Fifteen Minutes, by Witold Gombrowicz Reviewer: Aleksandra Gruzinska
Coming Out of War: Poetry, Grieving, and the Culture of the World Wars, by Janis P. Stout Reviewer: Teresa Knudsen
Modernity and Progress: Fitzgerald, Hemingway, Orwell, by Ronald Berman Reviewer: Erin Clair
Margaret Webster: A Life in the Theater, by Milly S. Barranger Reviewer: Lesley Broder
A Poetics of Impasse in Modern and Contemporary American Poetry, by Susan M. Schultz Reviewer: Claudia A. Becker
Rhetorical Women: Roles and Representations, ed. Hildy Miller and Lillian Bridwell-Bowles Reviewer: Joanne Craig
Origins of Language: Constraints on Hypotheses, by Sverker Johansson Reviewer: Claudia A. Becker
Fundamentos de fonología y fonética española para hablantes de inglés: Manual práctico de español como lengua extranjera, by Eva Núñez Méndez Reviewer: Scott M. Rex
Échos: Cultural Discussions for Students of French, by Kimberlee Campbell Reviewer: Lorie Sauble-Otto
This is Called Moving: A Critical Poetics of Film, by Abigail Child Reviewer: Scott M. Tomberlin
Dissonance (if you are interested), by Rosmarie Waldrop Reviewer: Daniel Gustav Anderson
Modern Social Imaginaries, by Charles Taylor Reviewer: John Rothfork
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